Cleaning Up Old Database Dirt with SQL Server 2012

I am about to venture into transitioning a 10 year old database that started with SQL Server 2000 which has surely some (a lot?) accumulated  ‘dirt’ in it that started way back in 2001. In the past (am sure it still is with 2012 edition), SQL Server has been very forgiving for all the sins of its handlers (DBAs, developers, users, & pretenders). It had allowed a lot of minor issues to creep into the database without constantly complaining and compromising its ability to run in production. In a perfect world, those issues could have been eradicated a long time ago.

The ‘dirt’ has accumulated as SQL Server hasn’t been pestering people that there is some cleaning up to do. In the real world, that is acceptable. We just can’t stop the show after someone spilt water on the stage floor. After 10 years,with better tools and ways to clean up dirt, it would be a worthwhile exercise so we can navigate easily through the challenges of modern times.

Enter SQL Server 2012, it packs with efficient and reliable tools to accomplish this tasks of cleaning things up. To start on the cleaning process though I need to see the mostly unseen ‘dirt’. SSDT comes in handy for this job.

Using SQL Server Data Tools (SSDT) As Dirt Probe

Here is how to begin identifying what needs to be cleaned.

Then allow SSDT to scan your database for ‘dirt’. I am actually referring to ‘errors’ and ‘warnings’!

After scanning, go to the Error List tab and VOILA!!! now you see the ‘dirt’.

Armed with a long ugly list, you can now hire a cleaner to scrub off each and every dirt you have identified.

That is all for now for the cleaning up!

Toto Gamboa is a consultant specializing on databases, Microsoft SQL Server and software development operating in the Philippines. He is currently a member and one of the leaders of Philippine SQL Server Users Group, a Professional Association for SQL Server (PASS) chapter and is one of Microsoft’s MVP for SQL Server in the Philippines. You may reach him by sending an email to


Wild Bird Photography – Oriental Skylark

One of the most uncommon but conspicuous birds out there in the field is the Oriental Skylark (Alauda gulgula). Conspicuous, in the sense that when it gets excited, it would stand tall and proud with its crest raised despite its minute size,  and would give a very loud distinct shrill. However, you often get to see these birds in photographically boring dry open fields as this species does not perch on bushes or trees. With these circumstances, shooting the bird at an angle higher than its eye level, you will get the boring ground as its backdrop (as shown below).

In the few times I have encountered this species, I would often wish to capture it on camera properly. What I intend to have is to get a creamy bokeh/background. To do this, you can’t shoot from an elevated angle (as shown above), unless the bird is on an edge of an elevated mass that would eliminate the ground as the backdrop or would make the ground far enough not to be included in your thin depth of field. Instead, you need to be down on all four. This means you need to be on a prone position to achieve the effect (as shown below). This enables you to avoid shooting the ground as the bird’s backdrop.


Shooting the bird on the ground on a prone position gives one an eye level shot with both the foreground and background seem to merge and melt leaving the subject greatly emphasized. Below is a sample of this effect.

Shooting Disclosure

  • Gears:
    Canon 50D, EF 400mm f5.6L, 2-Pound Rice Bag
  • Settings:
    Shot @ f5.6, 1/640″, ISO320, Spot Metering, Auto White Balance, Aperture Priority, Cropped 16:9 to 3.6MP, RAW, Handheld, Prone Position
  • Lighting
    8:36am Light, Overcast
  • Others:
    Some very minimal sharpening and color vibrancy adjustments in Photoshop

Check out my Philippine birds photos @ Facebook!

Wild Bird Photography – Dollarbird

In wild bird photography, gears and skills do really matter. Both needs to go hand in hand to produce the best snapshot of a beautiful avian subject. In the Philippines, it is often that you and your gears will be tested. For decades, our subjects here are hunted everywhere that birds here often avoid human encounters as much as possible. This cautiousness adds to the fun and challenge to wild bird photography in the country. Because of this, 400mm lenses are considered short. You have to exert more effort in terms of executing the shot to produce decent photographic captures at par with those that have bigger, longer and generally better equipment. However, one cannot fret with what he has. Working a bit more with what you have does the trick and solve some of the problems.


Having known that I have a short lens at only 400mm (Canon EF 400mm f5.6L) with a fairly slow speed (f5.6) and a camera that is known to produce noisy images at high ISOs, I need to do a lot more to compensate on the limitations I have. In this article, I would detail how using a 2X teleconverter on a 400/f5.6 lens mounted on a Canon EOS 50D to shoot a very difficult scene can still be accomplished with satisfactory results. Here is how:

Below is a photo of an uncropped 800mm shot of a Dollarbird (Eurystomus orientalis) from more than 30 meters. I dont normally use a 2X teleconverter but I was tempted to because the bird perched motionless for minutes after I got several shots with just the bare 400mm lens mounted on my cam and the sheer distance between me and the bird. Getting nearer is also impossible.

Here is a cropped version of the same image. I cropped the photo down to 2.8 megapixel.

Shooting Disclosure

  • Gears:
    Canon 50D, EF 400mm f5.6L, Kenko Pro-DG 2X, Manfrotto 755X + Gimbal Head, 2-Pound Rice Bag, Remote Shutter
  • Settings:
    Shot @ 800mm, f16, 1/40″, ISO320, Evaluative Metering, Auto White Balance, Full Manual, Cropped 16:9 to 2.8MP, RAW, Liveview, Remote Shutter
  • Lighting
    8:42am Light, Overcast
  • Others:
    Some very minimal sharpening and color vibrancy adjustments in Photoshop

Often, we hear discouraging comments on the use of 2X teleconverters. It definitely degrades image quality even when use with large aperture wildlife lenses such as those with f2.8’s and f4’s. Using a 2X on an f5.6 lens would surely raise eyebrowes. But when you are limited to shoot with what you got, and in my case, I only have a Canon EF-400mm f5.6L, one needs to do a lot of compensating to get decent output from lowly setup with a 2X. And a couple of requirements to effectively know how to compensate is you need to know how a photograph is made and you know very well your gears’ capability and limitation.

In the above photo of the Dollarbird, despite the constraints I had during the time of the shoot, I still managed to get a decent shot. Here are the key ingredients in executing this shot:

  • LiveView. Knowing that using a 2X on an f5.6 will force you to go full manual, using LiveView is one very effective technique. But of course this can only apply since the Dollarbird lingered long enough for me to set things up. Using LiveView in this scenario, one would get AUTOFOCUS using contrast detection method. My Canon EOS 50D allowed me to do this. Some cameras would probably do the same. Using LiveView in this scenario, it also allows you to visually zoom in to 10X using your LCD to get better confirmation if you have focused well on the subject. In the 50D, you can have these features work for you. You get to zoom in to your subject and get aufo-focus.
  • 2-Pound Rice Bag. At 800mm, very minute shaking is very visible. By increasing your LCD view to 10X (via LiveView), not only is the shake visible, it can make you dizzy :P. Putting weight on your rig would dampen the effects of this shake. It also speeds up in stabilizing your rig so you get to shoot in the soonest possible time. In my case, I have this useful 2 pound weight functioning as a poor man’s image stabilizer. All I have to do is place the weights on top of the lens where its center of balance is.
  • Remote Shutter. Without a remote shutter. This scene is hard to execute. One can use the cam’s timer though but that is cumbersome.

The above key ingredients helped in allowing me to capture this scene. Though it won’t surpass the quality of a shot using a bare lens at the same focal lenght, the result is decent enough to merit a space on my harddrive. Without any one of the three, it would be very hard to get a decent output from this scene. Compensating can do wonders especially for photographers that don’t have those desirable longer and faster lenses and better camera bodies. The same techniques used here can be applied using better gears of course. 🙂

Check out my Philippine birds photos @ Facebook!

Wild Bird Photography in the Philippines – Scaly Breasted Munia

One of the most common beautiful bird you will encounter in the Philippines is the Scaly-breasted Munia (Lonchura punctulata). It can almost be found anywhere in the Philippines. This species can also be one of the easiest to photograph considering that it is often close to human habitation. Where there are rice fields, you are guaranteed to see this bird.

Below is a photo I got in one of our sorties in San Juan, Batangas. I was patiently waiting for waders on a nearby pond when a few meters from where I hide, this fellow showed up. It probably got curious by my presence that it stayed a while and allowed me to get a bit closer and have some shots that I like.

Shooting Disclosure

  • Gears:
    Canon 50D, EF 400mm f5.6L, Manfrotto 755X + Gimbal Head
  • Settings:
    Shot @ 400mm, f5.6, 1/50″, ISO100, Spot-Metering, Auto White Balance, Aperture-Priority, Cropped 16:9 to 3.2MP, RAW
  • Others:
    Some very minimal sharpening and color vibrancy adjustments in Photoshop

On a mid-day harsh light, I usually go ISO100 to avoid getting a very fast shutter speed so more light gets captured with the sensor shutter being opened much longer. With ISO100, I also avoid some unwanted noise and it enhances the creaminess of background blur. Though it is hard to pull off and increasing the risk of getting a blurred shot, I prefer to shoot around 1/40 secs to 1/200 secs as I almost always get better color in this range (provided I am on a sturdy tripod). I just don’t know the technical reason but I suspect, the more time I allow the camera to absorb light, the better the output I got. This is why I always try to bring down ISO to as much as I can for as long as the shutter speed is within my prefered range. By constant practice, blurring cause by shake and slow shutter speed can be avoided. The bird allowed me to focus on its eye as it gave me a nice glance as shown in the photo. I also got lucky that it perched on a really photogenic decaying branch with a good greeny background from the distance.

The bird gave me a few shots but the above photo is the one I like most. It flew the moment I attempted to get closer.

Check out my Philippine birds photos @ Facebook!

Wild Bird Photography in the Philippines – Part 3

This is so far a 3 part series of what wild bird photography is to me. I would probably evolve this series over time to make it current as much as possible.
Wild Bird Photography in the Philippines – Part 1
Wild Bird Photography in the Philippines – Part 2

Previously,  in part 1,  I discussed how I came to photographing birds and detailed what you need to get a good start. In Part 2, I gave some ideas where one can usually find birds. In this article, I’ll give an idea how a bird photographer goes out there in the wilderness to look and start capturing beautiful images of birds.

A Birdnut’s Sortie

Often, when bird photographers (or birdnuts) go out, it is simply referred to as a sortie. A sortie is basically a mission to go out and photograph birds. Sorties vary from just a few hours birding away from home to weeks-long missions. Sorties can be done in singles or in groups. Sorties can be nearby, or one needs to travel for hours. Some sorties go from one country to another. Most sorties are done on foot, but there are sorties where birdnuts are in the comfort of their cars or boats. Some bird photography sorties involve laying out an elaborate plan compose of preparing the things needed for the trip, plotting destinations, identifying the risk and dangers associated with it and a lot of things go with it.

Reserva, Baler Sortie with Wild Bird Club of the Philippines

But How Do I Go About My Own Bird Photography Sorties?

I am a weekend warrior.  Though there were times when I went out on a whim, I mostly do my sorties on a weekend. I usually plan days ahead of the trip. I would typically go with a birding buddy or with a group for safety reasons. But I have gone out alone.

I usually prepare all the logistics needed and my gears a day before the trip. I’d check the vehicle for its condition and make sure it is ready to go. I’d have all the batteries recharged. I’d have the GPS properly loaded with routes and waypoints. Then I’d go to the nearby grocery or convenience store for my supply of food and drinks. Here is the usual stuff that I buy and prepare:

  • bottled water (Absolute) and some flavored drinks (Gatorade’s Propel) for rehydration
  • some biscuits (Skyflakes or some other brand) just to fill my tummy when out in the field or when on a long drive
  • some sweets (chocolate bars) to give me some caloric/energy boost when things go tough in the field
  • first aid kit
  • clothing (hat, extra shirts)
  • birding gears

I’d make it a point to get enough sleep but often I do get excited that I can’t sleep properly hours before the trip. Typically, I would wake up early in the morning (e.g. 4:00am for Candaba, 3:00am for Subic, 5:30am if it is just nearby), get some quick shower, then off I go. I usually make a quick stop in the nearby 7-11 store to buy me some packed hot meals for breakfast (I love their liempo on plain rice) and some bags of ice to fill my cooler, before I hit some more roads or pick up my birding buddy.

Once  on the site, it is usually breakfast time for me. 🙂 Then after that .. it is mostly birding, birding, birding! Sometimes I don’t get to rest, sometimes I don’t get to eat when in the field. What my day is like will all depend on how many and what kinds of birds I encounter. Then I go home!

My Most Memorable Birding Sorties

For more than a couple of years now, I have been to several birding places all over the country. My most memorable was getting stranded in Subic in 2009 while Metro Manila was being flooded by a record breaking storm Ondoy (Typhoon Ketsana). My birding buddy Dennis and I were just clueless what was about to happen during that day. The next thing we knew, Metro Manila had its most catastrophic flooding while we got stuck somewhere in Subic and left no other choice but to wait out until the storm passes through. Another most memorable birding trip I had was when I had gone with by fellow birdnuts in Mindoro. We had a chance to capture in photograph the rare Scarlet-collared Flowerpecker (Dicaeum retrocinctum).

Mindoro Sortie with Bulbuleros 400

The Risks

  • The hardest part is when going home. Often, you are so tired to move and drive yourself home. When I am with a birding buddy, we usually alternate on the wheels to lessen the risk of getting so sleepy on the road while driving for home. If sleepiness is unbearable, I/we stop to take a nap.
  • Insect bites. I remember a birding buddy of mine (Dennis), got hospitalized due to insect bites, after we went to the forest of Subic.
  • Wild bee stings
  • Snake bites
  • Getting attacked by wild animals
  • Getting stranded
  • Encounters with some not so really nice people (thieves, illegal loggers, etc). I guess the worst thing that will happen to you is when you get kidnapped by known terrorist groups and you would have to save your life as what happened to a fellow bird photographer. I happen to cross paths and shoot birds with Ivan personally one weekend in La Mesa Ecopark. Such a great guy by the way.
  • Weird accidents
  • Being flown off by a giant jungle woodpecker and be brought to its hole/nest on top of a 500 meter tree

The Lows

  • Going home empty handed
  • Going home with a ruined camera or a broken lens
  • Getting to the birding site only to find out you left your birding lens

The Highs

  • Getting stranded
  • Getting a rare photo lifer. In bird photography lingo, a lifer means you got to photograph a bird species for the first time
  • Getting a close up of a very beautiful bird
  • Getting a good photo of a target bird
  • Bump in the field with fellow birdnuts
  • Lastly, getting attacked by a thousand sunbirds

Wild Bird Photography in the Philippines – Part 1
Wild Bird Photography in the Philippines – Part 2

Check out my album of Philippine birds!

Toto Pictures : Surfin Urbiztundo

I shot these photos last November 29, 2008 during the La Union Grommet Championship 2008 in Urbiztundo, San Juan, La Union. I am actually not a sports photographer but when I get to shoot them, I found that they are very excellent subjects. I enjoyed shooting them all day long when I was there.

It has been some time now and I really want to photograph them again. Meanwhile, here are a few shots of surfing young kids that are 16 and below (groms) that participated in the tournament. Attached are the settings I use for these shots.

Nikon D300, Sigma 150-500mm, Ballhead + Tripod
Shot at 500mm, f7.1, 1/500 secs, ISO-200

Nikon D300, Sigma 150-500mm, Ballhead + Tripod
Shot at 500mm, f7.1, 1/500 secs, ISO-200

Nikon D300, Sigma 150-500mm, Ballhead + Tripod
Shot at 500mm, f8, 1/1250 secs, ISO-200

I am hoping to go back one of these days and shoot these surfers again. This time, as a Canon user 🙂

Wild Bird Photography in the Philippines – Part 1

This is so far a 3 part series of what wild bird photography is to me. I would probably evolve this series over time to make it current as much as possible.
Wild Bird Photography in the Philippines – Part 2
Wild Bird Photography in the Philippines – Part 3

I have been thinking if I really do have to write about this as I thought there are too many articles written already that can be found in the Internet about wild bird photography. But some friends and photographers who are not into any of these avian stuff have been asking me questions about it and curious why I am doing things like these. So what the heck, why not write about it? Writing about it would probably give others a glimpse on this madness called avian photography. As one bird photographer friend said, wild bird photography is like being a toy or comics collector. You just want to have all of them. There is some kind of addiction that you will develop when you dip yourself into it. So beware.

First and foremost, wild bird photography is madness. Perhaps what drives me to ‘shoot’ birds is my love of nature ever since I was a kid. Who has not had an avian pet when he was a kid? Who has not drooled over books and magazines loaded with images of the animal kingdom when he was a kid? Another factor perhaps that has driven me into this hobby is the curiosity I had to hunt. Yeah, who has not toyed with a ‘tirador’ (a slingshot) when he was a kid? Or an air rifle for that matter? My father and I were hunting for birds for years when I was in my teens. Furthermore, ever since I was a kid, I love something graphically and visually appealing. All these stuff were part of my childhood experiences and have greatly influenced my appetite for this madness, or shall I say craft? It now happens that bird photography had all the ingredients of the things I love when I was a kid. Perhaps I can say now that bird photography allows me to relive my childhood days in a more meaningful and rewarding way. I now get to hunt and shoot birds without harming them. I also get to marvel at how visually beautiful these wonders of nature are.

In addition to all these, wild bird photography comes with really difficult challenges. There is always an ingredient of unpredictability, of danger, of extreme frustration and happiness, and unlike other forms of photography, controlling the entire photographic situation or scene isn’t guaranteed. I also happen to love wild bird photography simply becuase it is not everybody’s cup of tea. I had always had that urge to try something different. If there are thousands of portrait or landscape photographers in the country, there is only a band of extremely dedicated and talented, close knit group of bird photographers in the Philippines. They call themselves birdnuts. 🙂

So much about my childhood background and my take on this type of craft and let us go into this madness as they say. I’d probably break down this article into several parts overtime so it is more digestable to my non-birding friends. This article will probably give one an idea on where to start if he or she happens to have the same kind of urges as I have. I also will probably be constantly updating this article for things I have forgotten to include, things that I get to experience out there in the field, when some new techniques are developed or when some new breakthrough technology enhances or changes the way things are done with this craft. I also might improve the article with visuals to support the textual information that I share here. I will also try to limit my coverage on scenarios commonly and uniquely found only in the Philippines. Unknown to many, a lot of foreigners have said tha wild bird photography in the Philippines may significantly differ compared to doing it in other countries. I have limited experience with this as I have only shoot a few birds in Singapore and Hong Kong and I can say it is a lot easier to approach birds in those countries than here in the Philippines.


(1) Camera. Of course, one needs a camera in photography. Any camera can be used but since this is madness, let us aim for what is the norm for crazy people out there. You would need a birder’s camera. Normally, a birder’s camera is a high resolution, fast shooting camera. Pick the most your money can buy. I currently use a 15 Megapixel Canon EOS 50D DSLR. Its high 15MP resolution allows me to capture more feather details, and have more freedom in cropping to get zoomed in. It also can shoot at 6.3 frames or shots per second. You would need this speed to be able to capture a lot of the bird’s very quick movement. If a single wingstroke takes 1 second to complete, a 6 frames per second camera will allow you to shoot 6 wingstroke positions in one second. You would have the ability to choose which frame you like best. You also may optionally want a camera that is protected from weather and other destructive elements like dust and water. There is often a saying in photography circles “wala sa pana yan, nasa indyan yan” (it is not the gun, it’s who pulls the trigger), I’d say drop this notion momentarily if you want to continue reading. In bird photography, the gear is as crucial as the talent and skills of the photographer. We are not talking here about taking a bird photo. We are talking here about taking great bird photos.

(2) Lens. You can’t go out photographing birds without a lens. I mean without a proper lens. The rule of thumb here is buy the longest, sharpest, fastest, brightest, lightest lens your money can buy. The one with a stabilizer is a big plus. Also, the one with weatherproofing could probably give you more reliability in as many kinds of terrain where you often want to be. I currently use a Canon EF 400mm f5.6L lens as my workhorse. It is the most affordable, it is sharp, it is quite fast and very light. It is not the longest though nor the brightest out there. In fact, my lens could probably be the most affordable serious birding lens that is ideal for those who are just starting bird photography. My lens does not have a built-in stabilizer, nor it is weather sealed.

Typically, you would need the following:

  • a longer lens (one with longer focal lenght) to be able to shoot a small bird from afar.
  • a bright lens (one with a larger aperture opening) to shoot birds in some dark recesses of the forest.
  • a fast focusing lens to shoot a bird in flight.
  • a very light lens so you can carry it for long period of hours walking and roaming looking for birds

Ideally, you might want to have the following:

  • a lens with a built-in stabilizer so you get an added benefit of shooting handheld where a faster shutter speed is desirable
  • a lens with all-weather sealing so you can shoot at any harsh condition you may encounter out there in the field

Personally, unless you are not doing this in the Philippines, I’d set 400mm as my minimum focal length.

(3) Support. If you have an arm and legs as stable as a tripod, you don’t need this. In most cases, you need a good support to stabilize your lens. In addition to having a built-in stabilizer, you need ground support. A stable one. Birders typically use a tripod but can utilize anything of use like a monopod, a sand-bag, your vehicle’s window, a pole, a tree trunk or anything that allows you to place your birding gear at rest in its full weight.

(4) Transport. Optionally, you may need one to ferry you from one birding site to another. You may have that all-terrain amphibious vehicle where you can drive through muddy tracks, cut through rocky roads, or cross a stream or river. 😛 Of course, I am just kidding, but if you can afford, that is my birder’s transport. I’d probably discuss this one on a separate article.

(5) MAP/GPS. You would need a lot of travelling once you get hooked with bird photography. You will often find yourself in places where people don’t go. You will often find yourself where roads end and where roadsigns are nowhere to be found. If you are in the Philippines, most often than not, you will find yourself in some uncharted ground. When you are in this situation, having a map and knowing how to chart your directions save you time. You would not want to get stranded wandering your way out inside a forest. An electronic geographical positioning system or device (GPS) can also come in very handy for you as a birder.

(6) Communications Device. In the Philippines, you should not go out birding without one. A cellphone is usually more than enough. Make sure you also have it fully charged or got spare batteries to power it up. In most cases, you will have cellphone signals all over the country. There are only a few dead spots left. You may also want to bring loaded SIM cards of major cell phone operators in the country when going out on very remote places. I usually bring along 2 phones, one is tuned in to Globe Telecoms, the other is on Smart Telecoms. In areas where one doesnt have a signal, most often, you’ll have the other one all tuned in. If you can, you might want to bring extra SIMs for Sun Cellular.

(7) Bird Guide. Aside from avoiding getting lost in some uncharted places, you may want to get the services of bird guides. A bird guide should be able to walk or drive you around a birding site with plenty of knowledge on where you would find the avian friends you would like to photograph. Sometimes, a bird guide can double as your security or interpreter with the locals. Personally, I can’t afford bird guides so I explore on my own when going out there to photograph birds.

(8) Logistics. I am still trying to learn to leave things that I dont need out there in the field. As much as possible, you only bring the essentials and what you will use. I still have the tendencies of over-supplying myself with stuff that I dont get to use out there in the field. Your goal is to lessen the weight you have to carry around while you do your photography. The stuffs I bring also varies per birding trip or sortie. If I get to bring a vehicle, I tend to bring almost everything 🙂

But my backpack and pockets contain usually the following:

  1. enough water
  2. light high calorie food
  3. first aid kit and some essential medicines
  4. insect repellant
  5. extra shirt
  6. enough batteries for the camera
  7. enough memory storage for the camera. I usually bring a 32GB card and an extra 8GB card
  8. a camo veil
  9. a hat
  10. a multipurpose knife
  11. a large garbage plastic to cover my gears just in case it rains
  12. portable GPS device. I use a Garmin 76CXs
  13. and some money

(9) Clothing. I always wear something light, some that easily dries up and with earthy/natural colors that would at least conceal me from birds’ view. I think wearing some camo outfit, if wearing them wouldn’t present a problem, would suit me best everytime I go out there to do bird photography. However, for safety and pre-caution, I’d consider wearing a camo on a case-to-case basis. I always have it in mind that wearing one would usually attract attention and could possibly make me a target. Other people also do get uncomfortable and nervous seeing new faces around in camouflage, so as not to startle them, I’d rather not wear them at all as much as possible. But proper clothing is your goal. You would always want something that will conceal you from the birds while keeping you comfortable and healthy.

(10) Footwear. I wear a mid-cut, waterproofed shoes. Wearing a mid-cut shoes could protect your ankle from getting accidentally twisted. Having a waterproofed one keeps your feet dry so you dont get blisters. Several times, my shoes saved me from possible injuries. I remember one time that I have stepped on some rocks on a sloping  ground that gave way from my weight and caused me to almost break my ankle. The pain was excruciating for a couple of minutes but thanks to wearing a mid-cut shoes, I avoided getting my ankle twisted or broken as it sturdily protected the ankle area. The pain dissipated after some minutes. Had I been wearing a regular shoes that time, I could have broken my ankle. So I have to emphasize, if you want to continue and enjoy bird photography, protect your feet. Otherwise, you won’t get anywhere.

(11) Publication Tools. Of course, you want to show your beautiful bird photos to the world. To be able to achieve this, you need the right tools to identify the birds, and publish your photographs in print or in digitized form. Since I am using a Digital SLR, I am forced to use digital tools to process my photos and have it printed or published over the web. I currently use Adobe’s ACR and Photoshop. I use A Guide to the Birds of the Philippines by Robert S. Kennedy, et al (ISBN 978-0-19-854668-9) to give names to the birds I shoot.

So far, these are the things that you may often need if ever you too would want to try wild bird photography. On Part 2, I would write about where one would usually go to shoot birds.

Hope this article gives everyone a glimpse of what wild bird photography is and how it differs from the usual line of photography that we often see and encounter.

Wild Bird Photography in the Philippines – Part 2
Wild Bird Photography in the Philippines – Part 3

Check out my album of Philippine birds!